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Ibsen's realistic drama in prose has been "enormously influential." [57] In opera, verismo refers to a post-Romantic Italian tradition that sought to incorporate the naturalism of Émile Zola and Henrik Ibsen. It included realistic – sometimes sordid or violent – depictions of contemporary everyday life, especially the life of the lower ...
Ibsen's realistic drama in prose has been "enormously influential." [1] It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure.
James Abbott McNeill Whistler, Nocturne: Blue and Gold – Old Battersea Bridge (1872), Tate Britain, London, England. Realism was an artistic movement that emerged in France in the 1840s, around the 1848 Revolution. [1]
When used as an adjective, "realistic" (usually related to visual appearance) distinguishes itself from "realist" art that concerns subject matter. Similarly, the term "illusionistic" might be used when referring to the accurate rendering of visual appearances in a composition.
In The Art of Fiction, British novelist and critic David Lodge defines magic realism: "when marvellous and impossible events occur in what otherwise purports to be a realistic narrative—is an effect especially associated with contemporary Latin American fiction (for example the work of the Colombian novelist Gabriel García Márquez) but it ...
[16] [17] Twain's style, based on vigorous, realistic, colloquial American speech, gave American writers a new appreciation of their national voice. Twain was the first major author to come from the interior of the country, and he captured its distinctive, humorous slang and iconoclasm.
Grant Wood's magnum opus American Gothic, 1930, has become a widely known (and often parodied) icon of social realism.. Social realism is the term used for work produced by painters, printmakers, photographers, writers and filmmakers that aims to draw attention to the real socio-political conditions of the working class as a means to critique the power structures behind these conditions.
To promote the willing suspension of disbelief, a fictional text needed to have credibility. Anything physically possible in the worldview of the reader or humanity's experience was defined as credible. Through verisimilitude then, the reader was able to glean truth even in fiction because it would reflect realistic aspects of human life.