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The svelte French style reached its fullest refinement in the roman types attributed to the best-known figure of French typography—Claude Garamond (also Garamont). In 1541 Robert Estienne, printer to the king, helped Garamond obtain commissions to cut the sequence of Greek fonts for King Francis I of France, known as the "grecs du roi". A ...
This category contains typefaces in the old style serif classification, including both Venetian and Garalde varieties. These faces date back to 1465 and are reminiscent of the humanist calligraphy. This is not for any "old" typeface, such as old English or Fraktur.
The font exemplifies the style preceding the 1530s: a font dark in colour, with wide capitals, tilted 'e's and large dots on the 'i', recalling calligraphy. De Colines, who probably engraved his own typefaces, developed his style and use of type over his lifetime, increasing the influence of classical Roman capitals [ 170 ] and making his fonts ...
Roman type was modelled from a European scribal manuscript style of the 15th century, based on the pairing of inscriptional capitals used in ancient Rome with Carolingian minuscules. Early roman typefaces show a variety of designs, for instance resembling what would now be considered blackletter.
Early Greek print, from a 1566 edition of Aristotle. The sample shows the -os ligature in the middle of the second line (in the word μέθοδος), the kai ligature below it in the third line, and the -ou-ligature right below that in the fourth line, along many others. 18th-century typeface sample by William Caslon, showing a greatly reduced set of ligatures (-ου-in "τοῦ", end of first ...
A monogram is a motif made by overlapping or combining two or more letters or other graphemes to form one symbol. Monograms are often made by combining the initials of an individual or a company, used as recognizable symbols or logos. A series of uncombined initials is properly referred to as a cypher (e.g. a royal cypher) and is not a monogram ...
Fonts which support a wide range of Unicode scripts and Unicode symbols are sometimes referred to as "pan-Unicode fonts", although as the maximum number of glyphs that can be defined in a TrueType font is restricted to 65,535, it is not possible for a single font to provide individual glyphs for all defined Unicode characters (154,998 ...
The baptismal font at St Bartholomew's Church, Liège is a Romanesque brass or bronze baptismal font made between 1107 and 1118 now in the Collegiate Church of St. Bartholomew in Liège, Belgium. The font is a major masterpiece of Mosan art, remarkable for the classicism of its style, whose origin has been the subject of great debate among art ...