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Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2]
North American Fiddle Champion, Arc AS 817; Swing Your Partner - Graham Townsend & His Backwoodsmen - Dance Calls by Fred Townsend, Point Records PS 368; Old Time Fiddle Favourites of Ward Allen - played by Graham Townsend, MCA CB-30017 [19] Mandolin Favourites, Cheyenne Records 89003; Mr. Country Fiddle, Marathon Music MMS-76046
This music, usually considered to be synonymous with Western swing, is bona fide fiddle music and is deeply intertwined with country and folk music as played by Willie Nelson, Merle Haggard, Vince Gill, Dale Watson, the Wheel's Jason Roberts, Jesse Dayton, and Garrison Keillor. [15]
"Flowers of Edinburgh" is a traditional fiddle tune, of eighteenth century Scottish lineage. It is also prominent in American fiddle , Canadian fiddle and wherever old time fiddle is cultivated. The tune is also the basis for a Morris Dance , in the Bledington style.
Athabaskan fiddle (or fiddle music, fiddling) is the old-time fiddle style that the Alaskan Athabaskans of the Interior Alaska have developed to play the fiddle , solo and in folk ensembles. Fiddles were introduced in this area by Scottish , Irish , French Canadian , and Métis fur traders of the Hudson's Bay Company in the mid-19th century.
Mark O'Connor (born August 5, 1961) is an American fiddle player, composer, guitarist, and mandolinist whose music combines bluegrass, country, jazz and classical.A three-time Grammy Award winner, he has won six Country Music Association Musician Of The Year awards and was a member of three influential musical ensembles: the David Grisman Quintet, The Dregs, and Strength in Numbers.
Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French [ 1 ] folk music tradition but has distinct features found only in the Western hemisphere.
The percussive use of footwork, however, is not limited to the First Nations musicians. Fiddle music, in general, lends itself well to group playing and percussive use of feet and hands, as in the performance of La Turlette at Kyneton, central Victoria, where the Celtic Southern Cross Summer School produced this ethnomusicologically notable ...