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Personification is the representation of a thing or abstraction as a person, ... The long poem Liberty by the Scottish James Thomson (1734), ...
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of speech constitute the latter.
Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters.
[11] However Tennyson, in his own poetry, began to refine and diminish such expressions, and introduced an emphasis on what might be called a more scientific comparison of objects in terms of sense perception. The old order was beginning to be replaced by the new just as Ruskin addressed the matter, and the use of the pathetic fallacy began ...
Personification [25] is the attribution of a personal nature or character to inanimate objects or abstract notions, [26] especially as a rhetorical figure. Example: "Because I could not stop for Death,/He kindly stopped for me;/The carriage held but just ourselves/And Immortality."—Emily Dickinson. Dickinson portrays death as a carriage ...
The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [7] For example, in the following lines from a poem by A. E. Housman, the last words of both lines rhyme with each other. Loveliest of trees, the cherry now
There is also personification in the poem as the landscape "listens" and the shadows "hold their breath," to a degree that it seems as though the landscape is the protagonist in the absence of any human figures in the poem. [11]