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Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp, a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ...
English: Shape note tune 192, Schenectady, led by Reba Dell Windom at the 145th session of the Boiling Springs Sacred Harp Convention. This is at Mt. Zion Primitive Baptist Church near Ashland, Alabama, on October 22, 2011.
Most notably, throughout, Ctrl features old recordings of Sacred Harp singing, an historical tradition of sacred choral music from the Southern United States related to Shape note singing. Sacred Harp is characterized by direct, expressive and sometimes brash voices in 4-part harmony.
These recordings were edited by George Pullen Jackson and published by the Library of Congress. [2] In 1959, Lomax returned to Alabama to record the 56th convention of the United Sacred Harp Musical Association in Fyffe. This recording is variously credited to either the "United Sacred Harp Convention" or "Alabama Sacred Harp Singers". [3]
Their first widely distributed album, Fig.5, was released in 2000 and was followed by a series of recordings, including the more meandering Liberation [4] and the folk-oriented Flags for the Sacred Harp, which drew from traditional blues and gospel sources. [5]
The Story of the Sacred Harp, 1844-1944. Vanderbilt University Press, 1944; A Directory of Sacred Harp Singers and Singing Conventions. 1945; American Folk Music for High School and other Choral Groups. C. C. Birchard and Co., 1947 (a collaboration with Charles Faulkner Bryan) Another Sheaf of White Spirituals. University of Florida Press, 1952
The Sacred Harp is a shape note tunebook, originally compiled in 1844 by Benjamin Franklin White and Elisha J. King in Georgia and used to this day in revised form by Sacred Harp singers throughout America and overseas. This article is a historical overview and listing of the composers and poets who wrote the songs and texts of The Sacred Harp.
In just two years, J. L. White made three attempts to revise the Sacred Harp in a manner that would satisfy Sacred Harp singers. With the exception of the added gospel songs in close harmony, this 1911 "White Book" is the most traditional of the three early 20th century revisions of the Sacred Harp, reprinting the 1870 book almost "verbatim ...