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[23] [24] [citation needed] Although some correlation can be made between Beethoven's Moonlight Sonata (especially the arpeggio), the Romance guitar piece and the Ukrainian folk song, the Ukrainian version has enjoyed much success through Eastern Europe and Russia and is vastly different from the Spanish/Argentine song and its various ...
Rischel & Birket-Smith's Collection of guitar music 1 Det Kongelige Bibliotek, Denmark; Boije Collection The Music Library of Sweden; creativeguitar.org Archived 27 January 2010 at the Wayback Machine (sheetmusic largely compiled from the above primary sources) Free scores by Dionisio Aguado y García at the International Music Score Library ...
The romantic guitar eventually led to Antonio de Torres Jurado's fan-braced Spanish guitars, the immediate precursors of the modern classical guitar. From the late 18th century the guitar achieved considerable general popularity though, as Ruggero Chiesa stated, subsequent scholars have largely ignored its place in classical music. [2]
The Hot Latin Songs chart (formerly Hot Latin 50 and Hot Latin Tracks), [1] published in Billboard magazine, is a record chart based on Latin music airplay. The data were compiled by the Billboard chart and research department with information from 70 Spanish-language radio stations in the United States and Puerto Rico. [2]
The term romance (Spanish: romance/romanza, Italian: romanza, German: Romanze, French: romance, Russian: романс, Portuguese: romance, Romanian: romanţă) has a centuries-long history. Applied to narrative ballads in Spain, it came to be used by the 18th century for simple lyrical pieces not only for voice, but also for instruments alone.
The Guitar/Classical Guitar: Boot/London 1974 The Guitar Artistry of Liona Boyd: Boot/London 1975 Miniatures for Guitar: Boot/CBS Masterworks 1977 The First Lady of the Guitar: Columbia 1978 The First Nashville Guitar Quartet (with Chet Atkins) RCA 1979 Liona Boyd with Andrew Davis and the English Chamber Orchestra: CBS Masterworks 1979 Spanish ...
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Celedonio Romero was born in Cienfuegos, Cuba, [1] while his parents were on a business trip to the island. He began playing the guitar at the age of 5, and eventually studied music theory, harmony, composition, and counterpoint at the Conservatory of Málaga and at the Madrid Royal Conservatory, where he was taught by Joaquín Turina.