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Hitsville USA: The Motown Singles Collection Volume 2 1972–1992 is a 1993 four-disc collection of Motown hits that were released after the original Motown studios relocated to Los Angeles. [1] The box set was preceded the previous year by Hitsville USA: The Motown Singles Collection 1959–1971.
Hitsville USA: The Motown Singles Collection 1959–1971 is a 1992 four-CD collection of Motown hits, during Motown's golden age when the songs were recorded at its original Detroit studio. [1] The selections on this compilation were transferred from the original single mixes, which were mixed for AM radio play and 45 RPM singles.
The Motown piano is an 1877 Steinway & Sons Model D grand piano, used by many musicians including the Funk Brothers studio band, at the Hitsville U.S.A. Studio B from 1967 to 1972. On July 24, 2011, Paul McCartney was in Detroit for a performance at Comerica Park , as part of his On the Run Tour ; he visited the Motown Museum for a private ...
Albums recorded at Hitsville U.S.A. — a record division of Motown. Pages in category "Albums recorded at Hitsville U.S.A." The following 110 pages are in this category, out of 110 total.
A weekly music show, “Live from Motown Museum,” is headed to SiriusXM, set to premiere at 2 p.m. Saturday on Smokey’s Soul Town — Channel 74 on the satellite radio service and on the ...
Hitsville USA: The Motown Singles Collection 1959–1971; Hitsville USA: The Motown Singles Collection Volume 2 1972–1992; I. I Want You Back! Unreleased Masters;
Motown M-1004 United States January 1961 "I've Got a Notion" "We Really Love Each Other" Henry Lumpkin: Motown M-1005 United States "Don't Feel Sorry for Me" "Heart" Jimmy Ruffin: Miracle MIR-1 United States February 1961 "Don't Let Him Shop Around" " A New Girl" Debbie Dean: Motown M-1007 United States "Ain't It Baby" " The Only One I Love ...
"Two Lovers" is a single released in 1962 by Mary Wells on the Motown record label. The song was the third consecutive hit to be both written and produced by Smokey Robinson of the Miracles and recorded by Mary Wells, [3] the two previous charters being "The One Who Really Loves You" and "You Beat Me to the Punch." The song's cleverly devised ...