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On September 28, 1991, only a month after the August Putsch failed, 500,000 (the figure stated in the notes of the original VHS and subsequent DVD release) rock and metal music fans converged in Moscow at Tushino Airfield for the first open-air rock concert, as part of the Monsters of Rock series. The concert was completely free, causing many ...
Wherever We May Roam (mentioned by band members in interviews as Wherever I May Roam) was a concert tour by the American heavy metal band Metallica in support of their eponymous fifth studio album (commonly known as The Black Album). It began in late 1991, preceded by the Monsters of Rock tour in Europe and a Day on the Green show, consisting ...
In 1991, Tushino Airfield was used to host the first outdoor rock festival ever held in the Soviet Union - the free Monsters of Rock concert featuring AC/DC, Metallica, the Black Crowes and Pantera. Official estimates placed the crowd at between 1,000,000 and 1,600,000 people.
Metallica is an American heavy metal band, founded in 1981 by drummer Lars Ulrich and rhythm guitarist James Hetfield. Aside from Ulrich, the original lineup for some of the 1982 concerts included James Hetfield (rhythm guitar and lead vocals), Dave Mustaine (lead guitar and backing vocals) and Ron McGovney (bass guitar).
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Although the attendance numbers of free concerts are known to be exaggerations, [1] media outlets have registered several concerts with a million people or more. Both Jean-Michel Jarre's concert in Moscow 1997 and Rod Stewart's concert in Copacabana 1994 were reported to attract audiences of more than 3.5 million people. Jarre is the only act ...
The San Francisco concert featured no surprise guests, but did include a few rare deep cuts. Metallica Rep Every Album At First of Two 40th Anniversary Shows: Concert Review + Photos Greg Prato
It didn't matter if Tame Impala was led by five women or five men, we knew that we wanted that style of music and that band on at that time." Ultimately, the problem with getting more female-led acts onto festival stages is the same problem all industries face in trying to make women more visible players: Sexism is systemic and often subtle.