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Medieval music generally refers the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. [1] The first and longest major era of Western classical music, medieval music includes composers of a variety of styles, often centered around a particular nationality or composition school. The lives of most ...
A medieval carving of a symphonia player from Beverley Minster. Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite.
Dame, de qui toute ma joie (B42 or RF5), before 1342, from Le Remède de Fortune. The French composer Guillaume de Machaut was the most prolific composer of his time, with surviving works encompassing many forms, the three formes fixes rondeaux, virelais, ballades, as well as motets, lais and a single representative of the complainte, chanson royale, double hocket and mass genres.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
Troubadour songs are generally referred to by their incipits, that is, their opening lines. If this is long, or after it has already been mentioned, an abbreviation of the incipit may be used for convenience. A few troubadour songs are known by "nicknames", thus D'un sirventes far by Guilhem Figueira is commonly called the Sirventes contra Roma ...
Guillaume de Machaut (French: [ɡijom də maʃo], Old French: [ɡiˈʎawmə də maˈtʃaw(θ)]; also Machau and Machault; c. 1300 – April 1377) was a French composer and poet who was the central figure of the ars nova style in late medieval music.
However, much secular poetry was also written in Latin. Some poems and songs, like the Gambler's Mass (officio lusorum) from the Carmina Burana, were parodies of Christian hymns, while others were student melodies: folksongs, love songs and drinking ballads. The famous commercium song Gaudeamus igitur is one example.
A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments. [1] [2]