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Genres of theatre music include opera, ballet and several forms of musical theatre, from pantomime to operetta and modern stage musicals and revues. Another form of theatre music is incidental music , which, as in radio, film and television, is used to accompany the action or to separate the scenes of a play.
Viola sonata – Sonata for solo viola, often accompanied by piano. Violin sonata – Sonata for solo violin, often accompanied by piano. Symphonic poem – Orchestral composition based on an extra-musical narrative, often a literary or pictorial idea. Symphony – Large-scale composition, typically for an orchestra and often in four movements.
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
Schubert's compositions for violin and piano; Two Serious Melodies; Six Studies in English Folk Song; Six Variations on "Hélas, j'ai perdu mon amant" Slavonic Dances; Souvenir d'un lieu cher; Spanish Dances; Suite italienne
Aladdin, or the Wonderful Lamp (in Danish: Aladdin, eller Den forunderlige Lampe; typically shortened to just Aladdin), Op. 34 (FS 89; CNW 17), is theatre music for soloists, mixed choir, and orchestra written from 1917 to 1919 by the Danish composer Carl Nielsen to accompany the Danish playwright Adam Oehlenschläger's 1805 "dramatic fairy tale" ("dramatisk eventyr") of the same name.
Manfred: Dramatic Poem with Music in Three Parts (Opus 115) (German: Manfred. Dramatisches Gedicht in drei Abtheilungen ) is a work of incidental music by Robert Schumann . The work is based on the 1817 poem Manfred by Lord Byron and consists of an overture , and 15 pieces of music: an entracte , melodramas , and several solos and choruses .
However, by 1795-96, Beethoven had started developing a style which not only displayed an increasing mastery of the Viennese style but also contained a dramatic flair which became a quintessential feature of his music. It was the piano that often served as a catapult for Beethoven's innovations, [23] in works such as his Op. 1 piano trios and ...
Op. 11, 3 Sonatas for Violin and Piano; 1816 Op. 12 , Variations On "Charming Gabrielle" for Piano; 1817 Op. 13 , Variations On "As Soon As The Light" for Piano; 1817