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123 Andrés make music for bilingual children and families, as well as for those who are in the process of learning Spanish. Their first album, ¡Uno, Dos Tres Andrés! en español y en inglés, was released in 2015, with 22 educational songs; 11 in Spanish and 11 in English. [7]
Diaz graduated from Berklee College of Music and Gaddis graduated from NYU's Tisch School of the Arts. [3] Billboard recognized the band as among Latin Children's Music Artists You Should Know, describing them as "kind of like a bilingual B-52's for kids" [4] and People Magazine listed their album A Potluck first in cool kids albums. [5]
Pacheco also produced music for feature films. The first film he worked on was the 1972 documentary Our Latin Thing; this was also the first film about the influence of salsa on Latino culture in New York City. His second film Salsa released in 1974. In the 1980s, he composed the scores for Mondo New York and Something Wild.
Kids loves to hand their hands along with this fun track from Fitz and the Tantrums. The lyrics aren't entirely G-rated, but they sing so fast the kids won't notice. See the original post on Youtube
All music was accompanied by a worked choreography that gave a personal touch. Their playlist includes Diane Warren's Nadie nos va a detener (Nothing's Gonna Stop Us Now, Spanish Version). Following Jovenes (1997), their third official album, Nadie Nos Va a Detener, a collection of uptempo, danceable salsa, was released by Rodven Records in ...
Salsa music is a style of Latin American music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin.
At the peak of his popularity during the 1950s, Rodríguez was only rivalled by Tito Puente in New York's Latin music circuit. Although described by historians and musicians alike (including both Titos) as "a friendly rivalry", their purported feud became a sort of urban legend in the world of Latin dance music. [10]
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.