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Sony's then-president Nobuyuki Idei thought "there was no point making an ordinary PC", so the VAIO lineup was to focus on Audio Visual (as the VAIO name suggests), portability, and design. The PCV-90 was the first series of desktops introduced in 1996, and designed with a 3D graphical interface as a novelty for new users.
Date/Time Thumbnail Dimensions User Comment; current: 05:30, 31 March 2022: 598 × 139 (3 KB): Yeeno: Reverted to version as of 20:00, 28 April 2015 (UTC) Logo on website is black
The main Visual Flow interface consisted of red icons on a black background, and resembled Vector graphics, although VisualFlow was capable of displaying certain image files within the program environment. VisualFlow could run in a full-screen or windowed mode. VisualFlow was built to only run on Sony VAIO products. This was typically enforced ...
Firmware 2.00 added the ability to select the background color of the XMB (from the same choice as the PSP), and the brightness of the XMB background. The same update also added extra font choices, and the ability to use custom themes that change the icons, wallpaper, color, font, and, in some cases, the sound effects.
The Sony Vaio 505 (called SuperSlim until 2003) series was a line of ultraportable notebook computers from Sony's VAIO brand. The introduction date in the United States was July 24, 1998. The introduction date in the United States was July 24, 1998.
1. Sign in to Desktop Gold. 2. Click the Settings button. 3. Click Personalization. 4. Click the Sounds tab. 5. Click Customize My Sounds. 6. Search for a sound or select a category from the "All" menu at the top-right.
The 3rd VAIO S Series was the first VAIO with a non-removable battery. Reviewers noted that the display felt quite flimsy, and that applying everyday amounts of torque, such as opening the display from one corner, would result in noticeable bending. Sony responded that this was by design, saying that under torque it would bend rather than break.
Exactly 10 years ago today, I published a commentary defending the decision to publish the contents of the Sony hack in Variety, the publication where I then served as co-editor-in-chief. Listen ...