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Hades and Cerberus, in Meyers Konversationslexikon, 1888. Hades, as the god of the dead, was a fearsome figure to those still living; in no hurry to meet him, they were reluctant to swear oaths in his name, and averted their faces when sacrificing to him. Since to many, simply to say the word "Hades" was frightening, euphemisms were pressed ...
t. e. In Greek mythology, the Greek underworld, or Hades, is a distinct realm (one of the three realms that make up the cosmos) where an individual goes after death. The earliest idea of afterlife in Greek myth is that, at the moment of death, an individual's essence (psyche) is separated from the corpse and transported to the underworld. [1]
e. In Christian theology, the Harrowing of Hell (Latin: Descensus Christi ad Inferos, "the descent of Christ into Hell " or Hades) [a] is the period of time between the Crucifixion of Jesus and his resurrection. In triumphant descent, Christ brought salvation to the souls held captive there since the beginning of the world.
Christian views on Hades. Lazarus and the Rich Man (illumination from the Codex Aureus of Echternach). Hades, according to various Christian denominations, is "the place or state of departed spirits ", [1] borrowing the name of Hades, the name of the underworld in Greek mythology. It is often associated with the Jewish concept of Sheol.
The game stars Zagreus, the son of Hades and Prince of the Underworld, who is sick of living under his father’s constant criticism and yearns to escape the land of the dead. Zagreus becomes even ...
The Rape of Persephone, or Abduction of Persephone, is a classical mythological subject in Western art, depicting the abduction of Persephone by Hades.In this context, the word Rape refers to the traditional translation of the Latin raptus ('seized' or 'carried off') which refers to bride kidnapping rather than the potential ensuing sexual violence.
A katabasis or catabasis (Ancient Greek: κατάβασις, romanized: katábasis, lit. 'descent'; from κατὰ (katà) 'down' and βαίνω (baínō) 'go') is a journey to the underworld. Its original sense is usually associated with Greek mythology and Classical mythology more broadly, where the protagonist visits the Greek underworld ...
Heracles does not believe but has been to Hades and has seen the dog Cerberus and the dead souls of others. Despite evidence of the divine, he chooses to believe, much as Socrates does also, that the gods, as they are commonly believed to be, do not exist. This point of view may reflect the playwright's own.