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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
Niccolò di Bernardo dei Machiavelli [a] (3 May 1469 – 21 June 1527) was a Florentine [4] [5] diplomat, author, philosopher, and historian who lived during the Italian Renaissance.
Thoughts on Machiavelli is a book by Leo Strauss first published in 1958. The book is a collection of lectures he gave at the University of Chicago in which he dissects the work of Niccolò Machiavelli. The book contains commentary on Machiavelli's The Prince and the Discourses on Livy. [1]
Machiavelli then goes into how a founder of a republic must "act alone" and gain absolute power to form a lasting regime. He cites Romulus's murder of his own brother Remus and co-ruler Titus Tatius in order to gain power. Machiavelli then excuses Romulus for his crimes, [5] saying he acted for the common good in bringing "civil life" in Rome's ...
An extremely rare first edition of Niccolò Machiavelli’s famous political manual “The Prince” is going up for auction, with an expected sale price of up to $375,000.
After his exile from political life in 1512, Machiavelli took to a life of writing, which led to the publishing of his most famous work, The Prince.The book would become infamous for its recommendations for absolute rulers to be ready to act in unscrupulous ways, such as resorting to fraud and treachery, elimination of political opponents, and the use of fear as a means of controlling subjects ...
This proposal that leaders can overcome the arbiter of all things is a common theme in Machiavelli's better known political works such as The Prince. By treating Castracani as a founder, almost, of a new state, Machiavelli used him as an example of the most important type of prince according to his other writings.
The Prince was originally dedicated to Giuliano di Lorenzo de' Medici. The Medicis, however, did not accept Machiavelli into their favor until 1520. According to The Prince ' s translator, Robert M. Adams, "he was an instinctive dramatist, and one of the dramatic effects he most enjoyed producing was shock and outrage." [4]