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The Rules of the Game (1939) was voted the best French film of all time with 15 votes in a 2012 poll of 85 film professionals conducted by Time Out Paris. [138] It was voted the best European film of all time with 56 votes (tied with the German film Nosferatu) in a 1994 poll of 70 critics and film historians organized by Cinemateca Portuguesa ...
Time's All-Time 100 Movies is a list compiled by Time magazine of the 100 "greatest" films that were released between March 3, 1923—when the first issue of Time was published—and early 2005, when the list was compiled. [1]
The "Top 100 Greatest Films of All Time" is a list published every ten years by Sight and Sound according to worldwide opinion polls they conduct. They published the critics' list, based on 1,639 participating critics, programmers, curators, archivists and academics, and the directors' list, based on 480 directors and filmmakers.
Orson Welles was selected as the greatest film director of all time by both critics and filmmakers. This list was put together by assembling the directors of the individual films that the critics and the directors polled voted for. 2002 was the only year Sight & Sound compiled the list.
The first of the AFI 100 Years... series of cinematic milestones, AFI's 100 Years... 100 American Movies is a list of the 100 best American movies, as determined by the American Film Institute from a poll of more than 1,500 artists and leaders in the film industry who chose from a list of 400 nominated movies. The 100-best list American films ...
Highest-grossing directors worldwide [1]; Rank Name Worldwide box office Highest-grossing film 1 Steven Spielberg: $10,753,945,763 $1,114,456,337 (Jurassic Park) 2 James Cameron
Of the 89 films that won Best Picture and were also nominated for Best Director, 68 won the award. [7] [8] Since its inception, the award has been given to 75 directors or directing teams. As of the 96th Academy Awards ceremony, British-American filmmaker Christopher Nolan is the most recent winner in this category for his work on Oppenheimer.
The jurors were limited to feature-length (at least 60 minutes), narrative, English-language films with significant financial and/or creative backing from the United States. All characters, whether hero or villain, were to "have made a mark on American society in matters of style and substance" and "elicit strong reactions across time ...