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Sadhana Sargam is an Indian singer, whose voice has been extensively recorded for thousands of tracks in Indian cinema. In addition to being a renowned playback singer, she is also a trained Hindustani classical singer who has recorded hundreds of bhajans, ghazals, and other spiritual tracks.
A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja.In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.
A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities. [2]
It is a one-and-a-half-hour audio montage of Chaṇḍipāaṭh (chanting from Chaṇḍi) recitation from the scriptural verses of Śrī Śrī Chaṇḍi or Durga Saptashati, [2] Bengali devotional songs, classical music and a dash of acoustic melodrama.
Devotional music genres such as Bhajan are part of a tradition that emerged from these roots. [ 16 ] However, bhajans rose to prominence as a way of expressing fervent devotion to the divine, breaking down barriers of caste and society, during the Bhakti and Sant movements of medieval India (about the 6th to the 17th centuries).
Saregama owns music repertoire across film music, non-film music, Carnatic, Hindustani classical, devotional music, etc. in over 25 Indian languages. The first song recorded in India by Gauhar Jaan in 1902 and the first film made in Bollywood ‘Alam Ara' in 1931 were under the music label. [citation needed] [6]
This is an alphabetical list of known Hindi songs performed, sung and/or recorded by Mohammed Rafi between 1942 and 1980. Over 5,000 of his songs are listed here. Mohammed Rafi also sang in several different languages other than Hindi such as Punjabi, Marathi etc.
They start with an instrumental prelude where the main melody is played on the harmonium, accompanied by the tabla, and which may include improvised variations of the melody. Then comes the alap , a long tonal improvised melody during which the singers intone different long notes, in the raga of the song to be played.