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Although originally an oral tradition, the genre was incorporated into longer poems, epics and narratives by a number of Indian poets [8] across major Modern Indo-Aryan languages including—Hindi, Urdu, Bengali, Gujarati, Rajasthani languages, Bihari languages, Punjabi etc., and can be found in the folk poetry of the tribal people too. [9]
The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. [ 2 ] Madhushala was part of his trilogy inspired by Omar Khayyam 's Rubaiyat , which he had earlier translated into Hindi.
Bihari Lal Chaube or Bihārī (1595–1663) [1] was a Hindi poet, who is famous for writing the Satasaī (Seven Hundred Verses) in Brajbhasha, a collection of approximately seven hundred distichs, which is perhaps the most celebrated Hindi work of poetic art, as distinguished from narrative and simpler styles. [2]
Hindi has a rich legacy of poetry. There are several genres of poetry based on Ras, Chhand and Alankar (e.g., Shringar, Karun, Veer, Hāsya, etc.). [16] Hasya Kavita is humorous comic poetry in Hindi. It is particularly famous due to Hindi kavi sammelans. Bal kavita is children's rhymes in Hindi. Many attempts have been made to document Hindi ...
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
His Marathi poems of the 1950s and 1960s are written "in the Bombay argot of the migrant working classes and the underworld, part Hindi, part Marathi, which the Hindi film industry would make proper use of only decades later". [5] For instance, consider the following, which intersperses Hindi dialect into the Marathi:
Prasad started writing poetry with the pen name of ‘Kaladhar’. The first collection of poem that Prasad penned, named, Chitradhar, was written in Braj dialect of Hindi but his later works were written in Khadi dialect or Sanskritized Hindi. [5] Later on Prasad promulgated ‘Chhayavad’, a literary trend in Hindi literature.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.