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The embroidery is particularly associated with embellishments on traditional dress (the thobe,) with the motifs and colors representing regional identity and social relationships. [3] Tatreez is commonly used on garments and includes a variety of symbols including birds, trees and flowers. [ 4 ]
Color analysis (American English; colour analysis in Commonwealth English), also known as personal color analysis (PCA), seasonal color analysis, or skin-tone matching, is a term often used within the cosmetics and fashion industry to describe a method of determining the colors of clothing and cosmetics that harmonize with the appearance of a person's skin complexion, eye color, and hair color ...
Color chips or color samples from a plastic pellet manufacturer that enables customers to evaluate the color range as molded objects to see final effects. A color chart or color reference card is a flat, physical object that has many different color samples present. They can be available as a single-page chart, or in the form of swatchbooks or ...
The Standard Color Reference of America was issued in 1915 for the purpose of simplifying color work by standardizing color for the U.S. The card offers a palette for color choice and at the same time help to facilitate the selection of colors. Primarily directed to the textile, fashion and environmental industries.
The kanga (in some areas known as leso) is a colourful fabric similar to kitenge, but lighter, worn by women and occasionally by men throughout the African Great Lakes region. It is a piece of printed cotton fabric , about 1.5 m by 1 m, often with a border along all four sides (called pindo in Swahili), and a central part ( mji ) which differs ...
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
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Historically, the fabric and color of clothing was very important. [1] During the Achaemenian period (550–330 BC), Persian clothing started to reflect social status and eminence, the climate of the region, and the season. The design philosophy for ancient clothing was a marriage of both function and aesthetics. [1]