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Various finger techniques (Le Monde illustré 14 January 1893) Finger whistlingPucker whistling is the most common form in much Western music. Typically, the tongue tip is lowered, often placed behind the lower teeth, and the pitch altered by varying the position of the tongue.
It is also called a hand ocarina or hand whistle. To produce sound, the player creates a chamber of air with their hands, into which they blow air via an opening at the thumbs. There are two common techniques involving the shape of the hand chamber: the "cupped hand" technique and the "interlock" technique. [1]
According to Adam Edwards of Daily Express, the wolf whistle originates from the navy General Call made with a boatswain's pipe. The General Call is made on a ship to get the attention of all hands for an announcement. Sailors in harbour would whistle the General Call upon seeing an attractive woman to draw fellow sailors' attention to her.
For example, a samba whistle (or apito) is an unpitched percussion instrument, [contradictory] but a whistle in general is not. For brevity, synonyms represented in Wikipedia by redirects to a main article are not listed, but may be mentioned as a note. Only the main article names are listed in these cases.
Different whistling styles may be used in a single language. Sochiapam Chinantec has three different words for whistle-speech: sie 3 for whistling with the tongue against the alveolar ridge, jui̵ 32 for bilabial whistling, and juo 2 for finger-in-the-mouth whistling. These are used for communication over varying distances.
A trailing edge tone occurs when an exterior flow passes over a trailing edge. There is a whistle that is a combination of an edge tone and a trailing-edge tone and might be called a wake-edge tone. It occurs in rotating circular saws under idling conditions and may be called the circular-saw whistle. Under load conditions, blade vibration ...
The common "whistle" term hūshào (for which hū can be written 呼 "exhale; shout", 忽 "disdainful; sudden", or 唿 "sad") refers to a type of shrill, forceful finger whistling that is often mentioned in traditional Chinese short stories and novels of the Ming and Qing periods as a kind of remote signaling or calling. [13]
The body (or bodies, in a double or triple flageolet) contains the finger holes and keys. The windcap is not essential to the sound production and the instrument can be played by blowing directly into the duct as in the initial recorder-type design. The flageolet was eventually entirely replaced by the tin whistle and is rarely played today. [2]