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Om Jai Jagdish Hare (Hindi: ॐ जय जगदीश हरे) is a Hindu religious song written by Shardha Ram Phillauri. [1] It is a Hindi-language composition dedicated to the deity Vishnu, popularly sung during the ritual of arti.
Arti plate. Arti (Hindi: आरती, romanized: Āratī) or Aarati (Sanskrit: आरात्रिक, romanized: Ārātrika) [1] [2] is a Hindu ritual employed in worship, part of a puja, in which light from a flame (fuelled by camphor, ghee, or oil) is ritually waved to venerate deities.
"Kab Se Khadi Hoon Jagdambe Maa" (version 1) Tajdar Taj solo "Kab Se Khadi Hoon Jagdambe Maa" (version 2) "Kaali Teri Choti Hai Paranda Teri Laalni" Indeevar Mangal Singh "Nazar Milata Kabhi Tujhse" Gurcharan Bandh Darwaza "Main Ik Chingaari Thi" Anand–Milind Kafil Azar solo Choron Ki Rani Hasino Ka Raja "O Meri Rani, Hosh Mein Aaja" Anwar ...
Kannada: Charukesi: Shyam Teri Bansi Pukare Radha Naam Geet Gaata Chal: Ravindra Jain: Aarti Mukherjee & Jaspal Singh (singer) Hindi: Charukesi: Teri Ummid Tera Intzaar Karte Hai Deewana (1992 film) Nadeem–Shravan: Kumar Sanu & Sadhana Sargam: Hindi: Charukesi: Chaand aaya hai zameen par Dil Hi Dil Mein: A. R. Rahman: Charukesi: Sollividu ...
Jaya Bhārata Jananiya Tanujāte, Jaya Hē Karnāṭaka Māte (pronounced [Jaya bha:rata jananiya tanuja:te, jaya he: karna:ʈaka ma:te]; lit. ' Victory to you Mother Karnataka, The Daughter of Mother India! ') is a Kannada-language poem composed by Kuvempu.
The focus of kirtan is on the lyrics or mantras, which deliver religious messages and stories. Guy Beck, writing on the northern kirtan tradition, states that "melody and rhythm are important, but devotional singers normally deplore musical virtuosity for its own sake, in contrast with the classical Hindustani and Karnatak traditions, which ...
There are 5 sthāyis in Carnaatic music, namely, Anumandara (lowest), Mandara (literally means chant, which means lower), Madhya (literally means middle), Taara (means higher) and Athitaara (meaning very high). Most artists sing over two octaves or two and a half octaves range (within Mandra, Madhya and Taara sthaayis).
Kannada poetry has been traced back to around 5th century A.D, though none of those early works have been found. The earliest extant poetry in tripadi meter are the Kappe Arabhatta records of 700 C.E. The first well known Kannada poet was Adikavi Pampa who wrote in an archaic style of Kannada called Halegannada (figuratively