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Germans were characterised as rapacious Huns during the First World War.This followed the Kaiser's Hun speech during the Boxer rebellion. [1]Stereotypes of Germans include real or imagined characteristics of the German people used by people who see the German people as a single and homogeneous group.
The feminine beauty ideal is a specific set of beauty standards regarding traits that are ingrained in women throughout their lives and from a young age to increase their perceived physical attractiveness. It is experienced by many women in the world, though the traits change over time and vary in country and culture. [1]
The crimes of women in early modern Germany (Oxford University Press, 1999). Ruble, Alexandria N. Entangled Emancipation: Women’s Rights in Cold War Germany ((University of Toronto Press, 2023) online scholarly review of this book; Rupp, Leila J. Mobilizing women for war: German and American propaganda, 1939-1945 (Princeton University Press ...
A woman who is 36–24–36 (91–61–91 cm) at 5 ft 2 in (1.57 m) height will look different from a woman who is 36–24–36 at 5 ft 8 in (1.73 m) height. If both are the same weight, the taller woman has a much lower body mass index; if they have the same BMI, the weight is distributed around a greater volume.
Studies have shown that women pay greater attention to physical traits than they do directly to earning capability or potential to commit, [319] including muscularity, fitness and masculinity of features; the latter preference was observed to vary during a woman's period, with women preferring more masculine features during the late-follicular ...
[17] [18] Ava, the first German woman poet, was also the author of the first German epic and the first woman to write in a European vernacular. [19] [20] Salic (Frankish) law, which was applied in many regions, placed women at a disadvantage with regard to property and inheritance rights. Germanic widows required a male guardian to represent ...
Along with smell, a woman’s physical appearance was also indicative of her moral character. Outward physical beauty was a sign of high moral virtue, and physical ugliness was an indication of suspect morality. [6] However, even beautiful women were potentially dangerous, as they could entice men toward sexual sin.
Second-wave feminists, influenced by de Beauvoir, believed that although biological differences between females and males were innate, the concepts of femininity and masculinity had been culturally constructed, with traits such as passivity and tenderness assigned to women and aggression and intelligence assigned to men.