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Walrus ivory, also known as morse, [1] comes from two modified upper canines of a walrus. The tusks grow throughout life and may, in the Pacific walrus, attain a length of one metre. [2] Walrus teeth are commercially carved and traded; the average walrus tooth has a rounded, irregular peg shape and is approximately 5 cm in length.
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, ... Cribbage boards and carved walrus and narwhal tusks were intended for the whalers.
Walrus tusks bearing the Alaska State walrus ivory registration tag, and post-law walrus ivory that has been carved or scrimshawed by an indigenous Alaskan, is legal. Ancient ivory, such as 10,000- to 40,000-year-old mammoth or fossilized walrus ivory, is unrestricted in its sale or possession under federal law.
The Venus of Brassempouy, about 25,000 BP 11th-century Anglo-Saxon ivory cross reliquary of walrus ivory. Ivory carving is the carving of ivory, that is to say animal tooth or tusk, generally by using sharp cutting tools, either mechanically or manually.
Walrus tusk carvings are usually easy to identify, because much of the interior of the tooth is filled with a mottled, almost translucent substance that is harder and more resistant to carving than the rest of the tooth. Manjū, especially ryūsa manjū, invariably show this translucent material at opposite edges of the netsuke.
While some of these uses have faded with access to alternative technologies, walrus meat remains an important part of local diets, [94] and tusk carving and engraving remain a vital art form. According to Adolf Erik Nordenskiöld , European hunters and Arctic explorers found walrus meat not particularly tasty, and only ate it in case of ...
Broken Walrus I, a mild steel sculpture with an orange-red painted matte finish, was an abstract representation of a single walrus tusk broken into two pieces.Rather than a realistic, round tusk, it had squared edges and exaggerated, squared ends.
Silook works primarily with walrus tusk ivory and whalebone, and selects for her subject matter images of women, including violence against Native women, [2] rather than the more common depictions of animal motifs. She explores the realm of the fantastic in Yupik culture, working with ancestral ivory doll forms from her tribe on St. Lawrence ...