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Dactylic hexameter (also known as heroic hexameter and the meter of epic) ... To offset this, whenever there was a feminine caesura in the 3rd foot, there was usually ...
The Latin rhythmic hexameter [1] or accentual hexameter [2] is a kind of Latin dactylic hexameter which arose in the Middle Ages alongside the metrical kind. The rhythmic hexameter did not scan correctly according to the rules of classical prosody; instead it imitated the approximate sound of a typical metrical hexameter by having roughly the same number of syllables and putting word accents ...
In modern terms, a caesura is a natural break which occurs in the middle of a foot, at the end of a word. This is contrasted with diaeresis, which is a break between two feet. In dactylic hexameter, there must be a caesura in each line, and such caesuras almost always occur in the 3rd or 4th foot. There are two kinds of caesura:
This line uses caesura in the medial position. In dactylic hexameter, a caesura occurs any time the ending of a word does not coincide with the beginning or the end of a metrical foot; in modern prosody, however, it is only called one when the ending also coincides with an audible pause in the line.
The hexameter follows the usual rhetorical trends of the dactylic hexameter in this age. If anything, the elegists are even more interested in verbal effects like alliteration and assonance. Overall there is a tendency to make the elegiac couplet increasingly dactylic.
Hexameter is a metrical line of verses consisting of six feet (a "foot" here is the pulse, or major accent, of words in an English line of poetry; in Greek as well as in Latin a "foot" is not an accent, but describes various combinations of syllables).
In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
× / × / × / ¦ × / × / × / (×) /=ictus, a strong syllabic position; ×=nonictus ¦=often a mandatory or predominant caesura, but depends upon the author Whereas the French alexandrine is syllabic, the English is accentual-syllabic; and the central caesura (a defining feature of the French) is not always rigidly preserved in English.