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The sculpture was made, probably as an altarpiece, for the cardinal's funeral chapel in Old St Peter's. When this was demolished it was preserved, and later took its current location, the first chapel on the north side after the entrance of the new basilica, in the 18th century. [3] It is the only piece Michelangelo ever signed.
She is shown as youthful for two reasons: God is the source of all beauty and she is one of the closest to God, and because the exterior is thought as the revelation of the interior; therefore, the virgin is morally beautiful. Michelangelo's Pieta sculpture is also unique in the fact that it is the only one of his works that he ever signed.
English: The Pieta is now in the first temple on the right of Saint Peter's Basilica in the Vatican City. Français : ce groupe était destiné au tombeau du Cardinal Jean de Bilhères, abbé de Saint-Denis.
This final sculpture revisited the theme of the Virgin Mary mourning over the emaciated body of the dead Christ, which he had first explored in his Pietà of 1499. Like his late series of drawings of the Crucifixion and the sculpture of the Deposition of Christ intended for his own tomb, it was produced at a time when Michelangelo's sense of ...
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The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]
The Slater Memorial Museum, Norwich Free Academy, Norwich, CT. Full-sized cast-plaster copy of the original sculpture. Basilica of Sainte-Anne-de-Beaupré Quebec City, Canada; Pietà at Museo Soumaya, Mexico City. Soumaya Museum, [1] Mexico City, Mexico; Cathedral of Our Lady of Refuge, Matamoros, Mexico
Pietà [2] (German: Vesperbild) a small painted wood sculpture dated to c. 1375–1400, now in the collection of the Cloisters, New York. Very little is known of it, except that is probably of southern German origin. [3] The statuette emphasises the suffering of both the Virgin and Jesus Christ. [3]