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Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
The dancers dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. Maglalatik can be seen as a mock battle between the dancing boys. [3] The dance is intended to impress the viewers with the great skill of the dancers.
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. The dance is accompanied by castanets. [1] This dance, together with the Jota, became popular among the illustrados or the upper ...
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group.The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm.
According to the book of Francisca Reyes-Aquino, Philippine Folk Dances, Volume 2, there is a different version of the cariñosa in the region of Bicol. Reyes-Aquino is a Filipino folk dancer and cultural researcher who discovered and documented Philippine traditional dances, one of which is the Cariñosa. [1]
The dance immediately became popular in the province for stage performances and social dancing. Later, Mr. Antonino Arreza, a native of Cantilan and a grandfather of Prospero Pichay, Jr., was believed to be the one who composed the lyrics of Itik-itik. Below is the original version of Itik-itik in native Cantilangnon dialect:
The sublî is a religious folk dance mostly practiced in Batangas in the Philippines, originating in Bauan and Alitagtag, Batangas, and practiced in other parts of that province in the southwestern part of Luzon.