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J. Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [4] [5] The Celtic knot as a tattoo design became popular in the United States in the 1970s and 1980s. [6]
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
Bain was the first artist to analyse and deconstruct the designs found on Pictish sculpture and metalwork, and on illuminated manuscripts such as the Book of Kells and the Lindisfarne Gospels. [6] His book Celtic Art: The Methods of Construction [ 7 ] was published in 1951.
The Celtic Encyclopedia. Universal Publishers. ISBN 978-1581128901. Müller, Karl Otfried (1877). Strabonis Geographicorum by Strabo. Ambrosio Firmin-Didot. Olmsted, Garrett (2001). Celtic art in transition during the first century BC. Innsbruck : Archaeolingua Institut für Sprachen und Literaturen der Universität, Abteilung Sprachwissenschaft.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.