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"The Luck of Roaring Camp" is a short story by American author Bret Harte. It was first published in the August 1868 issue of the Overland Monthly and helped push Harte to international prominence. [1] The story is about the birth of a baby boy in a 19th-century gold prospecting camp. The boy's mother, Cherokee Sal, dies in childbirth, so the ...
"Three-Ten to Yuma" is a short story written by Elmore Leonard that was first published in Dime Western Magazine, a 1950s pulp magazine, in March 1953. It is one of the very few Western stories to have been adapted to the screen twice, in 1957 and in 2007 .
The Ox-Bow Incident is a 1943 American Western film directed by William A. Wellman, starring Henry Fonda, Dana Andrews and Mary Beth Hughes, with Anthony Quinn, William Eythe, Harry Morgan and Jane Darwell. Two cowboys arrive in a Western town, when news arrives that a local rancher has been murdered and his cattle stolen.
The film was based on Western-themed short stories, some of which were written by the Coens over 20 to 25 years (accounts vary). [5] [11] Tim Blake Nelson was given the script for the eponymous story in 2002 and told that a second, "Meal Ticket", was in outline form, but did not hear until 2016 that the project would commence production. [12] "
Storytelling falls under the umbrella of broader oral traditions and can take either the form of oral history or oral tradition. [9] The difference between the two is that oral history tells the stories that occurred in the teller's own life while oral traditions are passed down through generations and reflect histories beyond the living memory of the tribal members. [9]
A list of films that are based on western fiction. Geographically, this page encompasses the frontiers of the United States, Canada, and Mexico, as well as Australia and South America. At present, South Africa and Siberia are not included.
Moral injury is a relatively new concept that seems to describe what many feel: a sense that their fundamental understanding of right and wrong has been violated, and the grief, numbness or guilt that often ensues. Here, you will meet combat veterans struggling with the moral and ethical ambiguities of war.
[12] Robert J. Wiersema states in his review that “Taylor’s ability to inject humour into even a post-apocalyptic setting is admirable,” and he notes the contrast between humor with the dark messages of the stories allows readers to appreciate the messages and get through the collection without being turned away, although some of the ...