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All sound recording formats, whether digital (Dolby Digital, DTS, SDDS) or analog (Dolby Stereo, Ultra Stereo), can be reproduced in a THX system. THX-certified theaters provide a high-quality, predictable playback environment to ensure that any film soundtrack mixed in THX will sound as near as possible to the intentions of the mixing engineer.
12-Track Digital Sound: 40 2015: 2-Track Digital Sound ... Blue Seal Noiseless Recording: 1 1929: Bristolphone: 2 2001: Broadway Surround ... THX Ltd. 1732 2005: TMH ...
10.2 is the surround sound format developed by THX creator Tomlinson Holman of TMH Labs and the University of Southern California (schools of Cinematic Arts and Engineering). ). Developed along with Chris Kyriakakis of the USC Viterbi School of Engineering, 10.2 refers to the format's slogan: "Twice as good as 5
The most prevalent current method of recording analogue sound on a film print is by stereo variable-area (SVA) recording, a technique first used in the mid-1970s as Dolby Stereo. A two-channel audio signal is recorded as a pair of lines running parallel with the film's direction of travel through the projector's screen.
The left and right surround speakers in the bottom line create the surround sound effect. 5.1 surround sound ("five-point one") is the common name for surround sound audio systems. 5.1 is the most commonly used layout in home theatres. [1] It uses five full-bandwidth channels and one low-frequency effects channel (the "point one"). [2]
Dolby Digital, originally synonymous with Dolby AC-3 (see below), is the name for a family of audio compression technologies developed by Dolby Laboratories. Called Dolby Stereo Digital until 1995, it is lossy compression (except for Dolby TrueHD). The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints.