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  2. Harlequin with a Guitar - Wikipedia

    en.wikipedia.org/wiki/Harlequin_with_a_Guitar

    Harlequin with a Guitar is an oil on canvas painting by Spanish cubist Juan Gris, from 1917. The work is in the collection of the Metropolitan Museum of Art, in New York. [1] The harlequin with his checkered costume was a favorite theme of cubists and Gris portrayed him in approximately forty works between 1917 and 1925.

  3. Still Life with a Guitar - Wikipedia

    en.wikipedia.org/wiki/Still_Life_with_a_Guitar

    Still Life with a Guitar is an oil on canvas painting by Spanish cubist Juan Gris, from 1913. The work is in the collection of the Metropolitan Museum of Art, in New York, Gallery 905. [1] The work was created in the small French town of Céret in the Pyrenees.

  4. List of chord progressions - Wikipedia

    en.wikipedia.org/wiki/List_of_chord_progressions

    IV-V-I-vi chord progression in C major ... Two common tones, two note moves by half step motion) V7–III7: 2: ... DOG EAR Tritone Substitution for Jazz Guitar ...

  5. Three Musicians (Picasso) - Wikipedia

    en.wikipedia.org/wiki/Three_Musicians_(Picasso)

    Three Musicians, also known as Musicians with Masks or Musicians in Masks, is a large oil painting created by Spanish artist Pablo Picasso. He painted two versions of Three Musicians. Both versions were completed in the summer of 1921 in Fontainebleau near Paris, France, in the garage of a villa that Picasso was using as his studio.

  6. Still Life (Braque, 1911) - Wikipedia

    en.wikipedia.org/wiki/Still_Life_(Braque,_1911)

    Still Life, also referred to as Glass and Guitar (French: Verre à pied et guitare), is a 1911 oil painting by the French artist Georges Braque, now in the Strasbourg Museum of Modern and Contemporary Art (inventory number 55.974.0.720). It was the first cubist painting ever bought by a public collection of France. [2]

  7. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.