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The cloth was white and represented a specific amount of labor time. The length and quality also affected the value. Items such as cacao beans and gold dust in clear quills were used to make small purchases, while the use of quachtli was reserved for larger purchases. Such as for the purchase of slaves. [2]
The cloth given as tribute or used in tribute ceremonies is estimated to be around 250,000 pieces of these fibers during the entirety of the Aztec Empire. [3] Cloth and clothing ranging from fancy to plain was the most widely distributed item for a tribute during the time of the Spanish conquest, however, almost none of these textiles from ...
Ichcahuipilli were made of successive layers of packed cotton and cloth, at least one inch thick, and sewn in diamond-shaped patterns. Wearers usually wore the ichcahuipilli directly on their skin, however, the most experienced warriors, especially those of the orders of eagle and jaguar warriors , used it to complement a tlahuiztli suit.
The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
Mechanization of cloth production began in the 1830s; however, high internal taxes among states kept production facilities small and unconsolidated. While Mexican production lagged behind that of Europe, certain regions of the country such as La Laguna, in the modern states of Durango and Coahuila, became important producers of cotton fabric ...
Women mainly worked inside the home, spinning and weaving thread from cotton, henepen, or maquey agave. They used a handheld drop spindle, then wove cloth using a loom that they strapped to their backs and held in their laps. They were responsible for tending turkeys and dogs that were raised for meat.
Patolli and its variants were played by a wide range of pre-Columbian Mesoamerican cultures and were known all over Mesoamerica: it was played by the Teotihuacanos (the builders of Teotihuacan, ca. 200 BC - 650 AD), the Toltecs (ca. 750 - 1000), the inhabitants of Chichen Itza (founded by refugee Toltec nobles, ca. 1100 - 1300), the Aztecs (who claimed Toltec descent, 1168 - 1521) and all of ...
Aztec codices were usually made from long sheets of fig-bark paper or stretched deerskins sewn together to form long and narrow strips; others were painted on big cloths. [5] Thus, usual formats include screenfold books, strips known as tiras, rolls, and cloths, also known as lienzos. While no Aztec codex preserves its covers, from the example ...