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"God Is Working His Purpose Out" is an English Christian hymn. It was written in 1894 by Arthur Campbell Ainger as a tribute to the Archbishop of Canterbury, Edward White Benson. [1] The original music for the hymn was written at the same time by Millicent D. Kingham but a number of other pieces of music have been used for the hymn in recent times.
The New Century Hymnal is a comprehensive hymnal and worship book published in 1995 for the United Church of Christ.The hymnal contains a wide-variety of traditional Christian hymns and worship songs, many contemporary hymns and songs, and a substantial selection of "world music" selections (hymns and worship songs from non-European-American) origin, a full lectionary-based Psalter, service ...
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus.
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V). A chord may be built upon any note of a musical scale.
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common sort of altered chord in tonal music. [2] Secondary chords are referred to by the function they have and the key or chord in which they function. Conventionally, they are written with the notation "function/key ...
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
F–C7–F, F–F ♯ 7–F, B–F ♯ 7–B, then B–C7–B. In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of the European classical repertoire and the vast majority of blues, jazz and rock music songs are based on chord progressions. "A chord ...
S.F. Smith: 220: Praise the Lord and worship Him, a song prepare: F.J. Crosby: 231: Hark, hark, my soul! angelic songs are swelling: F.W. Faber: Arranged by Sankey and Charles Crozat Converse [6] 233: God is Love! His Word proclaims it: Julia Sterling* 234: Let us sing again the praise of the Saviour: Lyman G. Cuyler* 236: Come, and let us Worship