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Casting is a method of producing one or more copies of a sculpture. Typically, the original sculpture is modeled as usual and covered with a molding material that sets hard when dry. The mold is then separated to release the original sculpture.
Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Casting is a manufacturing process in which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify. The solidified part is also known as a casting, which is ejected or broken out of the mold to complete the process.
In lost-wax or investment casting, the artist starts with a full-sized model of the sculpture, most often a non-drying oil-based clay such as Plasticine model for smaller sculptures or for sculptures to be developed over an extended period (water-based clays must be protected from drying), and water-based clay for larger sculptures or for ...
Molding material: The material that is packed around the pattern and then the pattern is removed to leave the cavity where the casting material will be poured. Flask: The rigid wood or metal frame that holds the molding material. Cope: The top half of the pattern, flask, mold, or core. Drag: The bottom half of the pattern, flask, mold, or core.
More common and less expensive materials were used for sculpture for wider consumption, including hardwoods (such as oak, box/boxwood, and lime/linden); terracotta and other ceramics, wax (a very common material for models for casting, and receiving the impressions of cylinder seals and engraved gems), and cast metals such as pewter and zinc ...