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The 1998 Tony award winning Broadway play 'Art' employed a white monochrome painting as a prop to generate an argument about aesthetics which made up the bulk of the play. The 1995 Cesar award winning movie The Three Brothers featured a white monochrome painting by fictitious artist Whiteman (inspired by K. Malevich White on White masterpiece).
Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
In 1961 the artist married art historian Lucy Lippard. They had a son together, Ethan Ryman, in 1964, who was first a sound engineer and now an artist. The marriage ended in divorce. In 1969 he married artist Merrill Wagner. [3] Robert Ryman's sons from his second marriage, Cordy Ryman and Will Ryman, are also artists and currently work in New ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Ema Saikō (江馬 細香, 1787–1861) was a Japanese painter, poet and calligrapher celebrated for her Chinese-style art in the late Edo period. Her specialisation as a bunjin , a painter of Chinese-style art using monochrome ink, was the bamboo plant which she perfected and which inspired her pen name .
A monochrome computer display is able to display only a single color, often green, amber, red or white, and often also shades of that color. In film photography, monochrome is typically the use of black-and-white film. Originally, all photography was done in monochrome.
Amos Paul Kennedy Jr. (born 1948) is an American printer, book artist, and papermaker best known for social and political commentary, particularly in printed posters. [2] One critic noted that Kennedy is "...unafraid of asking uncomfortable questions about race and artistic pretension."
A focus on physicality is also manifest in the artists' use of material. Dansaekhwa artists' rejection of the flat and solid picture plane has led to a range of experiments that manipulate material to ascribe these supposed flat surfaces new forms of objecthood. Kim Guiline's repeated layers of paint on mulberry added dimensionality to the surface.