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Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
Monochrome monitor, used with computers; Monochrome photography, also known as black-and-white photography; Monochrome painting, a style of painting that uses a single color (excluding shades thereof) Monochrome printmaking, printing styles that generate black-and-white images; Polychrome, of multiple colors, the opposite of monochrome
In addition, most of these printers were limited to monochrome, or sometimes two-color, printing in a single typeface at one time, although bolding and underlining of text could be done by "overstriking", that is, printing two or more impressions either in the same character position or slightly offset. Impact printers varieties include ...
Yellow dots on white paper, produced by color laser printer (enlarged, dot diameter about 0.1 mm) Printer tracking dots, also known as printer steganography, DocuColor tracking dots, yellow dots, secret dots, or a machine identification code (MIC), is a digital watermark which many color laser printers and photocopiers produce on every printed page that identifies the specific device that was ...
Imbibition printing was initially in monochrome. The basic underlying principle is that bichromate development of a silver gelatine photographic emulsion (not strictly a real chemical emulsion) results in the gelatine being differentially tanned or hardened in proportion to the exposure received, and blackening obtained.
In monoprinting, an artist creates a reusable template of the intended image. Templates may include stencils, metal plates and flat stones. This form of printing produces multiple prints from the same template. Monotyping, in contrast, involves the use of an impermanent image that degrades after just one print. [5]
The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
Color printers usually have a higher cost per page than monochrome printers, even if printing monochrome-only pages. Liquid electrophotography (LEP) is a similar process used in HP Indigo presses that uses electrostatically charged ink instead of toner, and using a heated transfer roller instead of a fuser, that melts the charged ink particles ...