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Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous art forms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas.
Artists bite on small pieces of folded birch bark to form intricate designs. [3] Indigenous artists used birchbark biting for entertaining in storytelling and to create patterns for quillwork and other art forms. In the 17th century, Jesuits sent samples of this artform to Europe, where it had been previously unknown. [4]
Designs originated from traditional body art designs but today exhibit a wide range of influences, including pop culture. Two mola panels form the bodice of a blouse. When a Guna woman is tired of a blouse, she can disassemble it and sell the molas to art collectors. [9]
Today argillite carvings are sold in galleries and fine art stores and take on more traditional Haida forms. Haida artists have been carving the black slate of the island of Haida Gwaii for several hundred years. From its conception, the art has depicted a variety of images, from traditional Haida forms, to Western figures.
Yanktonai Dakota artist Oscar Howe started a rebellion against “gatekeepers” wanting to keep Native art in a slim “cultural” lane. He sparked change.
Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1] Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes , funerary urns, censers , musical instruments , ceremonial items, masks , toys ...