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Illustration of a maunch from Arthur Fox-Davies' Complete Guide to Heraldry. Arms of Hugh Hastings: Or, a maunch gules a label of three points argent for difference.. A maunch (from the French manche "sleeve") is a heraldic charge representing a detachable lady's sleeve with a wide pendulous cuff, as was fashionable amongst women in the 13th and 14th centuries.
1 ⁄ 4-length sleeve or quarter-length sleeve: A sleeve that extends from the shoulder to midway down the biceps and triceps area. 3 ⁄ 4-length sleeve or three-quarter length sleeve: A sleeve that extends from the shoulder to a length midway between the elbow and the wrist. It was common in the United States in the 1950s and again in the ...
The floor-length sleeves were later wrist-length but very full, forming a bag or sack sleeve, or were worn off the arm, hanging ornamentally behind. This style of sleeve appeared towards the 1430s and it is at this time, that in French, the term "houppelande" gets replaced by the word "robe" or gown. [9]
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
The knit fabric is made from a blend of acrylic and polyester, and reviewers say it’s great for taller women, as it has longer sleeves than many other sweaters. $35 at Nordstrom.
' swinging sleeves ') is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode (小振袖, lit. ' short swinging sleeve '), to 114 cm (45 in) for an ōfurisode (大振袖, lit. ' large swinging sleeves '). Furisode are the most formal style of kimono worn by young unmarried women in Japan.
Women's fashions of the early 16th century consisted of a long gown, usually with sleeves, worn over a kirtle or undergown, with a linen chemise or smock worn next to the skin. The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe.
In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...