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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
[1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new. [2] [5] Most shapes are created with molds, then painted with acrylics. [5] Most of the production since colonial times has followed the annual calendar of religious and civic events.
The skilled artisans involved with this painstaking process are called Paper Mache makers. The materials involved with this process are discarded paper, cloth, straw of rice plant, which are mixed and made into a pulp. [7] The paper, after immersing in water for 4–5 weeks, is taken out and made into a pulp and dried.
Paper craft is a collection of crafts using paper or card as the primary artistic medium for the creation of two or three-dimensional objects. Paper and card stock lend themselves to a wide range of techniques and can be folded, curved, bent, cut, glued, molded, stitched, or layered. [1] Papermaking by hand is also a paper craft.
This technique has been used to make a number of crafts up to this day, most notably to make alebrijes and skeletal and other figures for Day of the Dead. [2] The dolls are usually created with the help of molds, one for the head and torso and others for the arms and legs, with the strips of paper and paste layered on thickly.
The Linares family in Mexico City are among the best known practitioners of a craft known as “cartonería” or the use of papier-mâché to create hard sculptured objects.
Palekh Russian lacquer art on papier-mâché first appeared in 1923 in the village of Palekh, located in the Palekhsky District (Ivanovo Oblast), and is based on a long local history of icon painting. [1]
A stereotype mold ("flong") being made Stereotype casting room of the Seattle Daily Times, c. 1900. In printing, a stereotype, [note 1] stereoplate or simply a stereo, is a solid plate of type metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.