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As people were taken from Africa to be sold as slaves, especially starting in the 1500s, they brought their dance styles with them. Entire cultures were imported into the New World, especially those areas where slaves were given more flexibility to continue their cultures and where there were more African slaves than Europeans or indigenous Americans, such as Brazil.
The dance is thought to have the power to purge the women of harmful energy and restore their cosmic equilibrium. The "djembe", a kind of West African drum, is generally used to open a Moribayassa performance. The beat begins slowly and then picks up tempo and intensity as the dance moves forward.
Agbekor (agbekÉ”) is a type of music and a style of dance by the West African peoples of Ewe and Fon. It is an ancient dance once known as Atamga, Ga meaning 'great', Atam meaning 'oath'. It is now performed by the people of Dzogadze, a farming community near Akatsi in the Southern part of the Volta Region of Ghana.
It is also known in some other West African countries. This name is also used to refer to different percussion patterns in African music, some of which are individual variations, and some differ significantly: some of them being in 6 8 and 12 8, while others in 4 4 time. Kakilambe is a dance as a symbol of the celebration of growth of crops ...
The Orisha, Moko, comes from the various African cultures such as the Kongo (or Congo) and Nigeria, and from the Maasai people. He was revered as a guardian figure in African villages, whose towering stature granted him the ability to perceive malevolence before it was visible to ordinary individuals.
Agbadza is an Ewe music and dance that evolved from the times of war into a very popular recreational dance. [1] It came from a very old war dance called Atrikpui and usually performed by the Ewe people of the Volta Region of Ghana, particularly during the Hogbetsotso Festival, a celebration by the Anlo Ewe people. In addition, it is also ...
In the West Indies, the dance incorporated into work and periods of festivity and lamenting. Because the bélé dance ranged through so many diverse occasions and life-events, the dance and music continued to evolve over time from slavery into freedom. The French named the dance "Belaire," or good air, which shortened to bélé. [citation needed]
Bomba Dance in Guaynabo, Puerto Rico. Bomba was developed in Puerto Rico during the early European colonial period. The first documentation of bomba dates back to 1797: botanist André Pierre Ledru described his impressions of local inhabitants dancing and singing popular bombas in Voyage aux îles de Ténériffe, la Trinité, Saint-Thomas, Sainte-Croix et Porto Ricco.