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Landscape with Two Poplars: Art Institute of Chicago 78.8 x 100.4 1912 With Rider: Musée National d'Art Moderne, Paris 27.5 x 28 Reverse glass painting 1913 Landscape with Rain: Solomon R. Guggenheim Museum, New York 70.5 x 78.4 1913 Improvisation No. 30 (Cannons) Art Institute of Chicago 111 x 111.3 1913 Improvisation 31 (Sea Battle)
He made the painting in the week following his portraits of Dr. Gachet. [5] The viewpoint from above was a favourite perspective of his since his days sketching in the dunes of Scheveningen at The Hague with the aid of a perspective frame. [6] Van Gogh described the painting in a letter to his sister Wil: [7]
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
The Henri Matisse paintings French Window at Collioure, and View of Notre-Dame, [23] both from 1914, exerted tremendous influence on Richard Diebenkorn's Ocean Park paintings. According to art historian Jane Livingston, Diebenkorn saw both Matisse paintings in an exhibition in Los Angeles in 1966, which enormously affected him and his work. [24]
His paintings straddled both camps within the abstract expressionist rubric, action painting and color field painting. Having seen Pollock's 1951 paintings of thinned black oil paint stained into raw canvas, Helen Frankenthaler began to produce stain paintings in varied oil colors on raw canvas in 1952.
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. [1] Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings.