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A writer in The Sydney Morning Herald noted, of the original publication: "A beautiful volume, as far as typography goes, is Mr Will H. Ogilvie's 'Fair Girls and Gray Horses,' a collection of Australian poetry with the imprint of the 'Bulletin' Company. The real westward—that means anywhere from Menindie to the Gulf of Carpentaria and west of ...
"She Walks in Beauty" is a short lyrical poem in iambic tetrameter written in 1814 by Lord Byron, and is one of his most famous works. [2] It is said to have been inspired by an event in Byron's life. On 11 June 1814, Byron attended a party in London. Among the guests was Mrs. Anne Beatrix Wilmot, wife of Byron's first cousin, Sir Robert Wilmot ...
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [a] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
The Spring of the White-Legged Woman (Bulgarian: Изворът на Белоногата, romanized: Izvorat na Belonogata) is a poem written in 1873 by the famous Bulgarian poet Petko Slaveykov. [1] The story is about a beautiful Bulgarian girl, Gergana.
A Dream of Fair Women is a poem by Alfred Tennyson. It was written and published in 1833 as "A Legend of Fair Women", but was heavily revised for republication under its present tile in 1842. [1] The opening lines of the poem are: As when a man, that sails in a balloon, Downlooking sees the solid shining ground.
[a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 has been the subject of numerous translations and adaptations from ancient times to the present day.
After the Supreme Court ruled Friday to overturn Roe vs. Wade, Speaker of the House Nancy Pelosi addressed it through poetry. It's not the first time.
The poem uses Poe's frequent theme of "the death of a beautiful woman," which he considered to be "the most poetical topic in the world."[3] The use of this theme has often been suggested to be autobiographical by Poe critics and biographers, stemming from the repeated loss of women throughout Poe's life, including his mother Eliza Poe and his foster mother Frances Allan. [4]