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British Artists and War: The Face of Battle in Paintings and Prints, 1700–1914. (London: Greenhill, 1993). ISBN 1-85367-157-6; Haycock, David Boyd. "A Crisis of Brilliance: Five Young British Artists and the Great War". (London: Old Street Publishing). Hichberger, J.W.M. (1988). Images of the Army: The Military in British Art 1815–1914 ...
The Harvest of Battle (1918) (Art.IWM ART 1921) In 1918, after some negotiation, Nevinson agreed to work for the British War Memorials Committee to produce a single large artwork for a proposed, but never built, Hall of Remembrance. He was offered an honorary commission as a Second Lieutenant but refused, fearing it would prejudice his medical ...
By the end of 1916, Pryse had made an application to become a war artist, and towards the end of the war, was granted permission to sketch at the front and he was able to record the conditions of trench warfare in numerous water-colour drawings, but many of these were lost in the German offensive of 1918. [3]
November 7–December 14 – British painter Colin Gill, having previously served as a soldier on the Western Front, returns to France to work for the British War Memorials Committee. December 3 – The November Group (Novembergruppe) of expressionist artists is formed in Germany, and shortly afterwards merges with the Arbeitsrat für Kunst. [2]
The Malleson Mission was a British military intervention in Central Asia during the Russian Civil War, aimed at countering the spread of Bolshevism and protecting British interests in India. Led by Major General Wilfrid Malleson , [ 13 ] the mission began in 1918 with the deployment of British Indian Army troops to the city of Meshed in Persia ...
After, the British War Memorials Committee did commission Gill to produce a large work for the proposed, but never built Hall of Remembrance, [5] he was released from his duties at the Camouflage School and returned to France on 7 November 1918 to do sketches, and other work, for his BWMC commission.
Spring in the Trenches, Ridge Wood, 1917 by Paul Nash.Nash was a war artist in both World War I and World War II. A war artist is an artist either commissioned by a government or publication, or self-motivated, to document first-hand experience of war in any form of illustrative or depictive record.
Paul Nash, We Are Making a New World, Imperial War Museum Sunrise, Inverness Copse, the 1918 drawing on which the painting was based. We Are Making a New World is a 1918 oil-on-canvas painting by Paul Nash. The optimistic title contrasts with Nash's depiction of a scarred landscape created by a battle of the First World War, with shell-holes ...