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The word "swimsuit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched the Red Diving Girl swimwear brand. [41] The first annual bathing suit day at New York's Madison Square Garden in 1916 was a landmark. [42] The swimsuit apron, a design for early swimwear, disappeared by 1918, leaving a tunic covering the ...
Francis Kilvert described men's bathing suits coming into use in the 1870s as "a pair of very short red and white striped drawers". [35] Cartoon by George du Maurier in Punch, 1877, showing men's and children's bathing suits. Female bathing costumes were derived from those worn at Bath and other spas.
Jantzen Knitting Mills, a manufacturer of sweaters, coined the term "swim suit" in 1915 and introduced the Red Diving Girl swimwear line. [10] The first annual bathing-suit day at New York's Madison Square Garden in 1916 was a landmark. [11] The swimsuit apron, a design for early swimwear, disappeared by 1918, leaving a tunic covering the ...
Men's swimwear was also going through a metamorphosis; swim suits started to feature more tank tops and even shorter shorts. Fast-forward ten years and the 1930s were embracing a lot more skin.
Women's swimwear of the 1930s and 1940s incorporated increasing degrees of midriff exposure. The 1932 Hollywood film Three on a Match featured a midriff-baring two-piece bathing suit. Actress Dolores del Río was the first major star to wear a two-piece women's bathing suit onscreen in Flying Down to Rio (1933). [42]
The white bikini is regarded as perhaps the most important in the history of the bikini and sales of the two-piece bikini rocketed after the appearance of Andress in Dr. No. [6] In a survey of 1000 women to celebrate the 60th anniversary of the bikini, Ursula Andress in her white bikini was voted "The Ultimate Bikini Goddess". [18]
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Contour drawing – Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body. Gesture Drawing - loose drawing or sketching with the wrists moving, to create a sense of naturalism of the line or shape, as opposed to geometric or mechanical drawing