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Ubu Roi (French: [yby ʁwa]; "Ubu the King" or "King Ubu") is a play by French writer Alfred Jarry, then 23 years old.It was first performed in Paris in 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at the Nouveau-Théâtre (today, the Théâtre de Paris).
Alfred Jarry, Deux aspects de la marionnette original d'Ubu Roi, premiered at the Théâtre de l'Œuvre on 10 December 1896. His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were institutionalized.
The Theatre Alfred Jarry was founded in January 1926 by Antonin Artaud with Robert Aron and Roger Vitrac, in Paris, France. [1] It was influenced by Surrealism, Theatre of the Absurd and the work of Alfred Jarry. It was foundational to Artaud's theory of the Theatre of Cruelty.
Jarry's lithograph advertising the 1896 premiere of Ubu Roi. On December 10, 1896, the Théâtre de l'Œuvre presented Alfred Jarry's soon legendary Ubu Roi, at Nouveau-Théâtre, 15, rue Blanche, with actor Firmin Gémier in the title role. Jarry had finished this epochal play about human greed, cowardice, and stupidity just six months before ...
Ubu Rex is a satirical opera by Krzysztof Penderecki, on a libretto in German by the composer and Jerzy Jarocki, based on Alfred Jarry's 1896 play Ubu Roi. It uses models by Offenbach , Rossini , Shostakovich and Schnittke .
Most notably, they premiered Ibsen's Pillars of Society (22-23 June 1896) and Peer Gynt (11-12 November 1896); Alfred Jarry's Ubu Roi (9-10 December 1896); Bjørnson's sequel to Beyond Human Power (25-26 January 1897); Hauptmann's fairy drama The Sunken Bell (4-5 March 1897); Bataille's Your Blood (7-8 May 1897); Ibsen's Love's Comedy (22-23 ...
Internationally, he is most famous for originating the role of Père Ubu in Alfred Jarry’s play Ubu Roi. He is known as the principal architect of the popular theatre movement in France. [1] CFP-2 Gémier, Firmin (2)
The term first appeared in print in the text of Alfred Jarry's play Guignol in the 28 April 1893 issue of L'Écho de Paris littéraire illustré, but it has been suggested that the word has its origins in the same school pranks at the lycée in Rennes that led Jarry to write Ubu Roi. [14] Jarry considered Ibicrates and Sophrotatos the Armenian ...