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"Bounce" is a song recorded by Australian rapper Iggy Azalea for her debut album, The New Classic (2014) appearing on the deluxe edition. "Bounce" was written by Azalea, its producers Reeva & Black, Speedy Jay, Talay Riley , Oladayo Olatunji and Natalie Sims .
"Bounce" is a song by American rock band Bon Jovi. It was released as the third single (second in Japan) from the band's 2002 album of the same name to US rock radio, peaking at number 39 on the Billboard Hot Mainstream Rock Tracks chart in 2003. [1] In Japan, it was issued as a double A-side with "Misunderstood" in November 2002.
Bounce is the eighth studio album by American rock band Bon Jovi, released on October 8, 2002 through Island Records. Produced by Luke Ebbin, Jon Bon Jovi and Richie Sambora, the album was recorded at Sanctuary II Studio in New Jersey. Bounce was heavily influenced by the September 11 attacks, owing in part to Jon Bon Jovi's
"Bounce" received generally positive reviews from contemporary critics. Lewis Corner from Digital Spy noted the successful transition of Harris's lack of vocals for the song saying "Kelis purrs over a midi-fied melody reminiscent of a classic Game Boy, before Harris takes the reins on the vocal-less chorus complete with bang-on-trend squiggly synths and head-bopping beats". [5]
[14] "Mo Bounce" was among the Stereotype's recognized body of work that secured their Producer of the Year, Non-Classical nomination at the 60th Annual Grammy Awards. [15] [16] Time magazine ranked it as the fifth worst song of 2017, saying "the repetitive 'bounce, bounce, bounce' chorus was a respite" from Azalea's lyrics. [17]
"Jersey Bounce" is a song written by Tiny Bradshaw, Eddie Johnson, and Bobby Plater with lyrics by Buddy Feyne who used the pseudonym Robert B. Wright. [1] Background
"Bounce" is a song by Australian singer Samantha Jade. It was originally released as the first single from her fifth studio album on 20 September 2019, However the album was scrapped when Jade left Sony Music Australia in 2022.
"Formation" is a Houston trap and New Orleans bounce song. [9] [10] The song is written in the key of F minor in common time with a tempo of 123 beats per minute. [11]It has a minimalistic beat containing rubbery synths and a heavy bass line, which transforms into a horn-infused stomp reminiscent of marching bands and military tattoos.