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Video installation is a contemporary art form that combines video technology with installation art, making use of all aspects of the surrounding environment to affect the audience. Tracing its origins to the birth of video art in the 1970s, it has increased in popularity as digital video production technology has become more readily accessible.
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the ... With the advent of video in 1965, ...
A stitched photo of all 50 states in the artwork. Alaska and Hawaii hang on the left wall next to the contiguous U.S. map.. Electronic Superhighway: Continental U.S., Alaska, Hawaii is a video art installation created in 1995 and composed of 575 feet (175 m) multicolored neon tubing, 336 television sets, 50 DVD players (originally VHS players), and 3,750 feet (1,140 m) of cable.
New media art includes artworks designed and produced by means of electronic media technologies. It comprises virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, immersive installation and cyborg art.
This 1976 version, like all other renditions, is an installation art with a television monitor, video camera, painted wooden Buddha, tripod, and plinth. The Buddha's dimensions are 75cm x 36cm x 36cm whilst the TV monitor is relatively smaller at 32cm x 32cm x 32cm.
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting.
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Marco Brambilla (born 25 September 1960) is an Italian-born Canadian contemporary artist and film director, known for directing Demolition Man and Dinotopia as well as re-contextualizations of popular and found imagery, [1] and use of 3D imaging technologies in public installations and video art.