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Minoan seals are impression seals in the form of carved gemstones and similar pieces in metal, ivory and other materials produced in the Minoan civilization. They are an important part of Minoan art, and have been found in quantity at specific sites, for example in Knossos, Malia and Phaistos. They were evidently used as a means of identifying ...
It is one of the most important groups of Minoan jewellery. The Aegina Treasure is composed largely of gold jewellery that has been dated, based on its style and iconography, to the Greek Bronze Age between 1850 and 1550 BC, [ 2 ] so "Middle Minoan II" and III in most versions of the Minoan chronology .
The Malia Pendant is a gold pendant found in a tomb in 1930 at Chrysolakkos, Malia, Crete. [1] It dates to the Minoan civilization, 1800-1650 BC.The pendant was excavated by French archaeologists and was first described by Pierre Demargne.
Minoan art included elaborately decorated pottery, seals, figurines, and colorful frescoes. Typical subjects include nature and ritual. Minoan art is often described as having a fantastical or ecstatic quality, with figures rendered in a manner suggesting motion. Little is known about the structure of Minoan society.
This is where the ancient necropolis (royal burial enclosure or cemetery, 1700 BCE) in Malia, an ancient Minoan town in Crete, Greece, is located. As well as the famous Malia Pendant, it is commonly thought that the so-called Aegina Treasure of Minoan jewellery in the British Museum was excavated here by local people in the 19th century. [1]
The Heraklion Museum is rightly considered as the museum of Minoan culture par excellence worldwide. The museum is located in the town centre. It was built between 1937 and 1940 by architect Patroklos Karantinos on a site previously occupied by the Roman Catholic monastery of Saint-Francis which was destroyed by earthquake in 1856 .
Minoan gold votive double axe or labrys. On the left blade is an inscription in undeciphered Linear A; posssibly an invocation to the goddess Demeter. [1] Labrys (Greek: λάβρυς, romanized: lábrys) is, according to Plutarch (Quaestiones Graecae 2.302a), the Lydian word for the double-bitted axe. In Greek it was called πέλεκυς ...
Lalaounis provoked a sensation with his collection Blow Up (1970), draping the human body in gold jewelry inspired by Minoan civilization. [5] The following year he organized an international exhibition of jewelry in Athens, joined by Van Cleef, Bulgari, Rene Kern and Harry Winston. In 1976, he had one of his most important commissions which ...