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The Winslow Homer Studio is the historic studio and home of the artist Winslow Homer, which is located on what is now Winslow Homer Road on Prouts Neck in Scarborough, Maine. Maine architect John Calvin Stevens altered and expanded an existing carriage house to suit Homer's needs in 1884, even moving the building 100 feet for added privacy from ...
Winslow Homer Studio: Scarborough: Cumberland: Southern Maine Coast: Historic house: House and studio of artist Winslow Homer, tours by the Portland Museum of Art Wiscasset, Waterville, and Farmington Railway Museum: Alna: Lincoln: Mid Coast: Railway: 2 ft (0.61 m) (610 mm) gauge heritage railway and museum Woodlawn Museum: Ellsworth: Hancock ...
This remodeled carriage house served as the studio of artist Winslow Homer from 1884 until is death. It is now a property of the Portland Museum of Art, which seasonally offers tours. 19: Isaac H. Evans: Isaac H. Evans
Prouts Neck is known also for artist Winslow Homer (1836–1910). The Winslow Homer Studio there, overlooking Cannon Rock, is a National Historic Landmark . [ 1 ]
Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and illustrator, best known for his marine subjects. He is considered one of the foremost painters of 19th-century America and a preeminent figure in American art in general.
After extensive travel, Homer settled in Prouts Neck, Maine. He had a studio built for him, which was completed in 1884, and painted marine subjects, including the hard lives of the fishermen and their families. He increasingly chose to depict the sea itself, and was especially attracted to stormy seas.
Moonlight, Wood Island Light is a late 19th-century oil painting by American artist Winslow Homer. The painting is in the collection of the Metropolitan Museum of Art in New York. [1] Moonlight depicts a nighttime seascape outside of Homer's studio in Portland, Maine.
According to Homer's early biographer William Howe Downes, "Homer's attention had been strongly attracted to the negroes" while he was attached to the Union Army of the Potomac as a war correspondent, and he renewed this interest in 1877 when he took a tour of post-war Virginia and created a string of works focused on primarily black subjects. [3]