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Altamira is located in the Franco-Cantabrian region and in 1985 was declared a World Heritage Site by UNESCO as a key location of the Cave of Altamira and Paleolithic Cave Art of Northern Spain. [4] The cave can no longer be visited, for conservation reasons, but there are replicas of a section at the site and elsewhere.
The Altamira cave, now famous for its unique collection of prehistoric art, was well known to local people, but had not been given much attention until 1868, when it was "discovered" by the hunter Modesto Cubillas Pérez. Sautuola started exploring the caves in 1875.
Map of Paleolithic cave art sites in the Franco-Cantabrian region.. The Cave of Altamira and Paleolithic Cave Art of Northern Spain (Cueva de Altamira y arte rupestre paleolítico del Norte de España) is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago (Aurignacian, Gravettian, Solutrean ...
The National Museum and Research Center of Altamira (Spanish: Museo Nacional y Centro de Investigación de Altamira), also known as Altamira Museum (Spanish: Museo de Altamira), is a center dedicated to the conservation of, research into, and the sharing of information about the cave of Altamira in Santillana del Mar (), Spain, named a World Heritage Site by Unesco.
The castle was built above the cave long before any excavation. At that time, the scientists hit a more than 5-foot-thick rock, which blocked them from burrowing into key layers of the collapsed cave.
The Avellino family emigrated from a poverty-stricken Italian island in the early 20th century. But now they’re back – and living in their ancestral cave home.
A man found frozen in a Pennsylvania cave in 1977 has finally been identified, closing the book on a nearly 50-year-long mystery. The Berks County Coroner’s Office identified the remains of the ...
A bison in Altamira. When Marcelino Sanz de Sautuola's daughter María discovered the paintings in Altamira and Sautuola, together with professor Vilanova, published their findings in 1880, Cartailhac was one of the leaders of the scientists who, suddenly facing a revolutionary change in the view of the prehistoric man, ridiculed these paintings at the 1880 Prehistorical Congress in Lisbon.