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The Hōeidō edition of the Tōkaidō is Hiroshige's best known work, and the best sold ever ukiyo-e Japanese prints. [2] Coming just after Hokusai's Thirty-six Views of Mount Fuji series, it established this new major theme of ukiyo-e, the landscape print, or fūkei-ga, with a special focus on "famous views".
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Sketches of the Life of the Great Priest (Japanese: 高祖御一代略図, Hepburn: Kōso goichidai ryakuzu) (c. 1831) is a series of ten Japanese woodblock prints in ink and color on paper made by ukiyo-e artist Utagawa Kuniyoshi (1798–1861). It was published by Iseya Rihei in 1835–1836.
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
It holds over 100,000 Japanese woodblock prints, regarded as the world's largest collection of this form of art. [2] The Japan Ukiyo-e Museum was established in 1982 by Tokichi Sakai, a member of the Sakai merchant family, who have practiced business in Matsumoto for generations. [3] It is based on collections of ukiyo-e owned by the family ...
Utagawa Hirokage (歌川 広景), also known as Ichiyūsai Hirokage, was a Japanese designer of ukiyo-e woodblock prints, who was active from about 1855 to 1865. He was a pupil of Utagawa Hiroshige I. From 1860 to 1861, Hirokage designed the series of ōban size prints titled Edo meisho dōke zukushi (Joyful Events