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The Annunciation is an 1898 painting by the African-American painter Henry Ossawa Tanner. It depicts the biblical scene of the Annunciation, where the archangel Gabriel visits Mary to announce that she will give birth to Jesus. [1] The painting is held by the Philadelphia Museum of Art.
The angel holds a Madonna lily, a symbol of Mary's virginity and of the city of Florence. It is presumed that, being a keen observer of nature, Leonardo painted the wings of the angel to resemble those of a bird in flight, but later, the wings were lengthened dramatically by another artist. [4]
Scenes depicting the Annunciation represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the son of God. The scene is an invariable one in cycles of the Life of the Virgin, and often included as the initial scene in those of the Life of Christ.
A typical Gothic Annunciation painting contained the archangel Gabriel visiting the Virgin Mary indoors and with Mary enthroned. The figures would appear flat, static, and unrealistic. This painting in particular is supposed to have "achieved heights of singular elegance."
The Annunciation is a key pivotal event within the Christian religion.In the painting archangel Gabriel descends from the heavens and informs the Virgin Mary that she is carrying God's child and will give birth to Jesus Christ. the Holy Spirit symbolizes the miraculous conception and is depicted as a ray of light that passes into the Virgin Mary. [3]
Detail – Mary and Gabriel. It has been suggested that Mary has been given the features of Isabella of Portugal, wife of Philip the Good, Duke of Burgundy, who may well have commissioned the painting from van Eyck, his (part-time) court painter. [14]
The painting was executed in the 1480s and was transferred to canvas from its original oak panel sometime after 1928; it is today held in the Robert Lehman collection of the Metropolitan Museum of Art in New York. The panel shows Mary in a domestic interior with two attendant angels. Gabriel is dressed in ecclesiastical robes, while a dove ...
The Vienna painting is a fairly traditional composition. The angel Gabriel is on the right. He has just alighted on the ground, his robe still billowing from his flight, and he kneels as if in reverence or supplication. Mary stands on the left facing Gabriel, but she leans back slightly as if in surprise or alarm.